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Disko Problema

by Disko Komitet

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1.
Where is the beginning of this story? And who is the narrator if it’s not me? And I’ve got an answer and I promise that this answer will make you feel better: and then you can leave. My problem is big enough to be yours. Here’s a metaphor to end all metaphors: so grand and spoken in a hushed and paced meter it could almost be a lullaby. Maybe it’s a lullaby. Sleep well, little darling. Maybe it’s a lullaby. Sleep well. Did anyone here buy a ticket just to be unsettled, to be unmoored? No, I’ve got an answer and I promise that this answer will make you feel something: and then you can leave. Later when the film of this is public, this sixteen-by-nine format monologue, then it will be real and maybe even lyrical - almost like a lullaby. Maybe it’s a lullaby. Sleep well, dear viewer. Maybe it’s a lullaby. Sleep well. What we wouldn’t do for a connection. Who we wouldn’t pay for an answer. Short and neat with a pretty resolution - it could almost be a lullaby. (Not quite real and not quite relevant sort of like a lullaby.)
2.
Bad Marxist 01:55
Part 1 He went to private school on scholarship to learn how to be a pretty bad Marxist and later he could lay on a private beach with the best of them holding a rum drink that was poured and garnished by the charming natives And he was still in his element, he was always in his element: what particular element wasn’t his? It took labor to get there and yet it was still hard to know how to exist. But it’s good paying work to be a pretty bad Marxist. Part 2 He took a certain small amount of pleasure in running an efficient meeting and he received promotions based on this ability and he was often praised for his efficiency and this praise and promotion led him to believe that he was doing something worthwhile. What else is there but the praise of your peers and what else are wasted minutes if not a capitalist’s holy tears and what else is there to do but make ‘em smile, make ‘em smile? And what else is there to do but make a list to do and then cross the things to do off the list. And what else is there to be but a pretty bad Marxist. It’s good work if you can get it.
3.
In the galleries everything has an opening bid. And the capitalists may have questionable tastes but they say at least they aren’t afraid to pay for it. Civilization began with a number and when it comes to an end it’ll finish with a number and no matter how much of what you love you can fit on the head of a pin it’ll add up to a number. And that’s how much it costs you. The problem with a rhyme is you can’t be sure just what you’ll say in order to make one. (But an equation leaves you with a number; at least you know what’s left when you’re done.) And I could live like an open-ended question and I can sleep like a comatose satellite and I can lose again everything I ever lost see, I remember that And that’s what it cost me. Civilization began with a number and the great unwashed add up to a number - if you count up every word ever wasted on a gallery wall you’ll arrive at a number (And someone’s going to pay for it.) (And that’s how much it costs you.)
4.
Trebalo bi da iza vrata svakog zadovoljnog, srećnog čoveka stoji neko s malenim čekićem.
5.
(x) How much do things matter when you weigh ‘em, when you measure? Weigh the purpose, click purchase: I’m a good boy, I’m an adding machine. (y) I’m a ruler, I’m a yardstick, What’s it resale? How heavy, how thick? Who wants it and can’t have it? I’m a warehouse, I’m an adding machine. (x) Is it scare enough to have a value? Every word is intangible (but) exchangeable, a careful barter: I am retail, I’m an adding machine. (y) How much more could you sell it for? Is it worth it? Do you need insurance? Shop around and take another look: I’m a teaspoon, I’m an adding machine. (x) Who’s selling? Almost everyone. Who’s buying? That’s all we ever done. Keep a tally, Keep an inventory: I’m a keeper and I’m an adding machine. (y) I’m a good boy, I’m a yardstick, I’m a warehouse, I’m an adding machine. I’m a good boy, I’m a yardstick, I’m a warehouse, Adding machine.
6.
Uniform 02:00
The buttons and the laces mean as much as the color of the fabric and the stitching. The uniform: the language - language worn and threadbare. And we have history to thank, so thank you, and history’s another country populated by some careless people who spent most of their time wondering what to wear. If you paint your lips black does it tell me what you’re thinking? Does it offer me an angle? Does it offer any purchase on the flat and slick surface of your half-hearted opinion? The “t” in t-shirt standing for “tell me”: tell me that you’re funny, tell me that you’re trouble, tell me what you watch on television. Black leather boots and torn blue jeans did not turn us into an army. It was not a common cause: it was just a uniform. It was just a uniform, it was everyone for themselves, it was just a uniform. Were you born in a country where they say that there are many things worth fighting for but rarely do they do that even though they put on a uniform like it’s their idea of having fun? Let’s sew a white flag out of old t-shirts and fly it from a broomstick ‘cuz I’ve never been a soldier and despite how good I might look in a uniform I never want to be one. It’s hard to tell the difference - fashionable or foolish - in the public square and why should anybody care if it is just a uniform. Who could trust a uniform, if it’s everyone for themselves, if it’s just a uniform?
7.
8.
Elemental 02:35
If you live or you die If you write your memoir If you print too many copies If they store them in a warehouse If it catches on fire If it catches on fire If it burns to the ground… If it burns to the ground If they come to put it out with their hoses and ladders If thousands of gallons of water are spilled to put out the blaze If that seems so elemental… If that seems so elemental then I guess that you were elemental If it seems so elemental then I guess that you were elemental If it seems so elemental then I guess that you were elemental. What’s the difference What’s the difference After all of that it seems like you were the difference What’s the difference What’s the difference After all of that… And if that seems so elemental then I guess that you were elemental If it seems so elemental then I guess that you were elemental If it seems so elemental then I guess that you were that.

about

from Glitter Milk Records

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released December 20, 2022

All songs by Barilla/Marinković
Barilla - vocals, bass, keys
Marinković - drums, vocals
Additional vocals on “When You’re Right” by Pero and Filip
Mixed, mastered, produced by Jeff McDonald

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Disko Komitet Houston, Texas

from Belgrade, Serbia and Houston, TX

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